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Susanne Pomrehn Photographs convey memories, moments captured for eternity. In her sculptural wall pieces, the Berlin-based artist Susanne Pomrehn uses a scalpel to dissociate the invariable moment captured in the photo on the drawing board and thus destroy the structural order of the reality remembered in the picture. She reverses foreground and background, the picture frame attains a new form. Voids emerge and at times apparently unreal proportions have a disturbing effect. Folded and combined, the filigree, vivid cuttings protrude three-dimensionally into the space and fan out to installation-like photo bodies. The formal appearance of the photo sculptures dissolves the images even more, including a further level of interpretation. Pomrehn mostly works with compiled photographs that are closely linked to where they were taken - usually also the location of the exhibition. For example, "Wie bau ich einen Taifun? Oder die Säule der Verwaltung (How do I Build a Typhoon? Or the Column of Administration)" was created at the Kunstbank Berlin from photo fragments she took of the offices of the senate administration. The artist's works are characterized by breaking free from two-dimensional photo art. This is performed by questioning remembrance and by opening the unity of time and image typical of photography. Is it possible that the viewer changes his/her position, does he/she alter the construction of his/her memory, can other possible judgements be created in this way? In the picture fragments, time, specific places, references to the city or to history are released to a sphere of constructed fantasy worlds. Pomrehn's fragmentations almost entirely dissolve the most various emotions, ideas, utopias, and conceptions of the world. The references to meaning in the photographs disappear. |
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Susanne Pomrehn, Detail aus der Installation - 6. Juli, 2006, Fotografien, Tape - im Rahmen von Adapter - In diesem Wald wird nicht gespielt, in der Kunstfabrik am Flutgraben, Berlin |
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Curriculum vitae |
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| 1962 | born in Brunsbüttel |
| 1986-1995 | Studium der Bildenden Kunst an der Hochschule für Bildende Künste Berlin |
| 1993 | Studium an der Falcudad d Bellas Artes Pays Basco, Erasmus, Spanien |
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lives and works in Berlin
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Susanne Pomrehn, Aktuelle Edition - finished_unfinished, 2007, Fotografien, Tape |
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Susanne Pomrehn, Gerahmte Wandarbeit aus der Serie - Minimal-invasive Handlungen, 2005, Fotografien, Tape |
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Susanne Pomrehn, Crystaline Thinking - aktuelle Installation, 2007, Fotografien, Tape, work in progress Situation im Atelier |
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exhibitions (selection) |
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solo exhibitions |
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| 2007 | Interventionen, Kioskshop, Berlin |
| Räumliche Visionen, Fotografie, Wien | |
| 2006 | Kunstbank, Berlin, mit Anette Rose |
| 2005 | Minimal - Invasive Handlungen, Schwarzer Gegenwartskunst, Berlin |
| Am Platz, Galerie Mesaoo Wrede, Hamburg | |
| Konstruktionen, ExitArt, Köln e.V. | |
| 2004 | Zentrale, Kunstverein Köln rrh. e. V. |
| Schlingungen, Kunstraum Jürgen Bahr, Köln | |
| 2002 | Fliegen lernen, Technische Universität Berlin |
| 2001 |
Zweiraum, Galerie La Girafe, Berlin
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group exhibitions |
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| 2007 | Art Karlsruhe |
| GfkFB, Kunstfabrik am Flutgraben, Berlin | |
| 2006 | aufgehägt und hingestellt, Galerie Ricarda Fox, Essen-Mühlheim |
| Fotoloft 2, Kunstverein 6811, Köln | |
| In diesem Wald wird nicht gespielt, Kunstfabrik am Flutgraben, Berlin | |
| 2005 | Bestandsausstellung, Kunstsammlung Neubrandenburg |
| Pilotprojekt Gropiusstadt - Berlin | |
| 2004 | Individuelle Zwischenstände, 12 in 15-Haushalt, Berlin |
| 2003 | Goldrausch, Künstlerhaus Bethanien, Berlin |
| 2002 |
Hier-Anderswo, Kühlräume-Kühle Räume, Torstr. 111, Berlin
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awards and grants |
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| 2007 | Stipendium Künstlerstätte Schloß Bleckede |
| Stipendium der Cranachstiftung, Lutherstadt - Wittenberg | |
| Förderung Kulturaustausch für räumliche Visionen, Fotogalerie Wien | |
| 2005 | Arbeitsstipendium Bildende Kunst des Berliner Senats |
| 2003 |
Stipendium Goldrausch Künstlerinnenprojekt art IT, Berlin
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